In addition to my painting, I also have a body of work in monotype—unique, individual prints created on an etching press.
The prints included here are divided into portfolios for ease of viewing. The first portfolio includes some of my most recent work between 2006-7. Some of this work was included in the "Somerville Prints!" show at Brickbottom Gallery and the "Hot off the Press" (Mixit Print Studio) show this past winter 2007. The other four portfolios are a collection of work from 2003-2005. Most of the work was executed at Mixit Studios, Somerville, MA.
What is a Monotype?
Monotypes are one-of-a-kind prints made by painting on a plate of metal, plastic or other flat material, then placing paper over the still wet, painted plate and running them both through a press. This transfers the image from the plate to the paper, creating the print. The plate may be painted on again and the process repeated several times, resulting in a single print arrived at through multiple impressions on the same sheet of paper.
My Process
The process I use is both intuitive as well as driven by the experience I've gained with this medium over the past six years. My work method remains fairly simple, although it has provided me with a steady flow of ideas that still challenge and excite me. I have also found a beautiful reciprocity between the printmaking and painting process that has enriched and broadened my work in each medium.
I use many layers of transparent inks built up primarily with rollers or brushes to create atmospheric fields of color. I add texture to the surface by rolling over different viscosities of ink as well as by subtracting/modifying ink rolls with soft rags and the application of solvents. This process is very different than painting in that I'm not working directly on the paper itself and accidental elements may come into play. The dialogue between intuition, intention and risk are what keeps this medium so interesting for me.